I really liked this journalistic account of the life of David Foster Wallace. Its primary focus is on how his professional and personal life resulted in the publication of his novels and nonfiction, so a lot of it is about the publishing industry, universities where Wallace worked, and his literary friendships. Some of the reviews I read on Goodreads seemed to think the book wasn’t long enough, but it satisfied me — I did not want to read a long scholarly biography or extended analysis of his early childhood, etc.
A lot of this book is sad, though. It made me realize how private Wallace was in his life, and how little I knew about him (despite being a big fan) when he was alive. A lot of the revelations here involve his somewhat troubled personal life. I guess it should have been obvious to me that whoever wrote “Infinte Jest” would not be Mr. Happy Happy Normal, but I always liked to think of Wallace as living a life of basic contentment and balance. This book shows that wasn’t the case, at least part of the time, and in detail. On the whole though, I enjoyed this book, it was very readable, and it will certainly enhance my understanding of Wallace’s work. While I was reading it, I found myself constantly going back to my bookshelf to pull down Wallace’s work, and I can’t think of a better compliment to a literary biography than that.
Tag: book talk
I wrote this book talk on “The Thousand Autumns of Jacob de Zoet,” by David Mitchell. What is a book talk? It’s a short presentation a librarian gives when she’s suggesting books for recreational reading. I learned how to give book talks in the Adult Services class at the University of South Florida’s library school, a class taught by the exemplary Dr. Kathleeen de la Pena McCook.
I don’t work in public libraries now, so I don’t have cause to write many book talks, and I wrote this one only because I liked the book so much and would like others to read it. Librarians, steal this book talk!
Book Talk on “The Thousand Autumns of Jacob de Zoet,” by David Mitchell (paperback)
David Mitchell is one of those authors who seems to enjoy defying easy categories. In the course of a single book, he can go from historical adventure to detective mystery to science fiction. Or, he might write an autobiographical novel of a boy growing up in England in the 1980s against the backdrop of the Fauklands War. And then there are the literary critics who love him: He’s written five books, two of which have been finalists for the Man Booker Prize. They praise his unorthodox approach to narrative and timeline.
His latest book, “The Thousand Autumns of Jacob de Zoet,” is a traditional historical novel. It takes place on Dejima, a trading island off the coast of Japan at the end of the 18th century. Jacob de Zoet, a Dutch clerk, arrives at the island charged with rooting out corruption at the trading company. His job is to reconcile the books between the Dutch traders and their Japanese hosts, keeping a special eye out for embezzlement and thievery. While working on Dejima, he falls in love with a young Japanese woman, Orito Aibagawa. Orito is studying with the island’s physician in order to become a midwife. She’s a smart, independent young woman who lives in a culture that admires conformity and submission.
Of course, any sort of relationship between the Japanese and foreigners, aside from trading, is forbidden. A romance between Jacob and Orito is impossible. But about halfway through the book, another plot reveals itself: There is a great evil hidden on the Japanese mountainside, in a shrine ostensibly devoted to the prayers of monks and nuns. Orito and Jacob must find a way to oppose that evil and bring it to an end. This struggle propels the rest of the novel forward.
So this is a very literary author taking a different tack and writing something that is essentially historical fiction. Still, most critics gave the book a rave. And well they should have, because “The Thousand Autumns of Jacob de Zoet” is an engrossing read that like its author seems to enjoy crossing boundaries. At its heart, it’s a love story, though an unrequited one. It’s also a masculine adventure story, much like “Master and Commander,” told from the point of view of men seeking fortune and pursuing acts of bravery. It’s also high literary fiction, with lush and intricate descriptions of 18th century Japan, the land of a thousand autumns, from which the novel gets its name. Consider immersing yourself in the world of “The Thousand Autumns of Jacob de Zoet.”